Danny Lewis presents a deconstruction of a heavy underground and raw sound. He reviews his custom made drum rack, explaining how the saturation effect uses drive to vary the texture. the off-beat tones, which compliment the kick-drum, create a bass line effect. He spends a few minutes playing a Beat 1, originally created while on the train, muting and playing various tracks to highlight the amount of programming involved. The beat was played in manually, using a regular keyboard. Next he discusses a rave-ish element of the overall beat. He shows his use of TAL-Reverb to create his effect. He also highlights a pitch-change effect on a bell sample, used to create tension. The saturator, the programming, and the layering all blend together to create this rough mix.
About MikeSorensen
I am a structural engineer as well as a master furniture maker. I design cabinets for low frequency, activated carbon absorbers. Connect with me on Google+
Recent Posts
Recent Comments
Related Posts
Waves & Rays
Dennis FoleySeptember 4, 2019
Abstract Composition – Recording The Output Of A Live Synth Performance – YouTube
MikeSorensenMarch 4, 2015
Reverberation times can be balanced throughout the church with proper treatments placed on the correct surface areas.
I work at a church and I plan on filling out your Room Analysis once I get the dimensions of…
Contact us at info@acousticfields.com.
All noise must be measured so you can then desiogn the appropriate barrier based upon the noise frequency and amplitude.…