Danny Lewis presents a deconstruction of a heavy underground and raw sound. He reviews his custom made drum rack, explaining how the saturation effect uses drive to vary the texture. the off-beat tones, which compliment the kick-drum, create a bass line effect. He spends a few minutes playing a Beat 1, originally created while on the train, muting and playing various tracks to highlight the amount of programming involved. The beat was played in manually, using a regular keyboard. Next he discusses a rave-ish element of the overall beat. He shows his use of TAL-Reverb to create his effect. He also highlights a pitch-change effect on a bell sample, used to create tension. The saturator, the programming, and the layering all blend together to create this rough mix.
About MikeSorensen
I am a structural engineer as well as a master furniture maker. I design cabinets for low frequency, activated carbon absorbers. Connect with me on Google+
Related Posts
Waves & Rays
Dennis FoleySeptember 4, 2019
Abstract Composition – Recording The Output Of A Live Synth Performance – YouTube
MikeSorensenMarch 4, 2015
The discussion on ductwork noise transmission from Acoustic Fields highlights crucial aspects of HVAC system acoustics. The movement of air…
Great build plans. thank you Denis
You must use absorption. Never place a chair against a wall.
A friend and I built several diffusors using these plans and they turned out absolutely beautiful. Very good instructions and…