I would like to share this post from Kim Lajoie for my daily audiophile blog roundup. When it comes to recording hardware, producers are faced with a dilemma – especially if they cannot afford the best gear. The truth is that gear choice makes no difference to the listener. Time and experience with bad gear is almost always a better option than shelling out for a top product right away. After all, experience in this industry counts above all else.
Worth checking out:
If the gear doesn’t matter, how do you choose what to get?
You will need to manage both lower frequency pressure and reflections between the 3 soundfields: Floor/ceiling, sidewall/sidewall, front/rear wall. Fill…
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