Today’s software offers the possibility of unlimited tracks. But that doesn’t always make music better. Often, unlimited tracks mean that a producer doesn’t have to commit to a sound. Accord to Daniel Lanois of U2, if 24 tracks is not enough, there is probably an artistic problem. More tracks are not only taxing to comply, but can also crowd out sound and ultimately produce an inferior product.
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Graham tells us why 24 tracks is all we need.
The discussion on ductwork noise transmission from Acoustic Fields highlights crucial aspects of HVAC system acoustics. The movement of air…
Great build plans. thank you Denis
You must use absorption. Never place a chair against a wall.
A friend and I built several diffusors using these plans and they turned out absolutely beautiful. Very good instructions and…