I thought I would share this article about how when writing music, it can be helpful to think about your bass-line as a “second melody”. If the composer is careful in noticing the relationship between the two, the song will be more dynamic and engaging. There are 4 different ways to asses this relationship between the motion of the melody and the motion of the bass: parallel, similar, oblique, contrary. Each describes a relationship between the chord structure and the direction of movement of the line. Variety between the 4 creates complex, exciting pieces like the classical composers did.
Worth your attention:
The Relationship Between Melodies and Bass Lines
The discussion on ductwork noise transmission from Acoustic Fields highlights crucial aspects of HVAC system acoustics. The movement of air…
Great build plans. thank you Denis
You must use absorption. Never place a chair against a wall.
A friend and I built several diffusors using these plans and they turned out absolutely beautiful. Very good instructions and…