This article on how to use a stereo microphone in a studio setting was authored by Mike Rivers, who has more than thirty years in the business of audio engineering studio setups. It discusses examples of where and when to use such a microphone, and how stereo effects can be simulated or exaggerated with mixing techniques.
Read the full article here:
New Technical Artcle Added – Using a Stereo Microphone
Limp mass material types can never achieve the proper rates of absorption that music and voice require.
Actually, fiberglass is more effective at absorbing bass frequencies than rockwool is, as long as it is thick enough. Denser…
Thanks, for this.
What are the frequency and amplitudes of your noise issues.