Designing sound recordings by planning for the effective use of language and semiotics contained therein is covered in this article dealing with philosophical concepts. The idea of a “signifier” and the “signified” (observer and object of observation) are covered here, as well as the importance of their distinct identities and functions in a setting.
Some good points. Read in full:
Ideas in Sound Design: Semitotics and Language – Part 1
What is the frequency and amplitude of the noise? Every barrier design is dependent on the frequency and amplitude of…
do you have suggestions for barrier around generator
Not our clients. We have processes that they can use to measure F/A. Guessing with noise is a waste of…
You are right, I just consider for normal concern the client may not know about the frequency and amplitudes of…