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	<title>Acoustic</title>
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	<link>http://www.acousticfields.com</link>
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		<title>Record Producers: Technician and Psychologist</title>
		<link>http://www.acousticfields.com/record-producers-technician-and-psychologist/</link>
		<comments>http://www.acousticfields.com/record-producers-technician-and-psychologist/#comments</comments>
		<pubDate>Sun, 20 May 2012 02:00:51 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audio engineer]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[psychologist]]></category>
		<category><![CDATA[waveform]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1455</guid>
		<description><![CDATA[I have watched numerous recording engineers at work over the last few days along with a few producer/engineers. I sit in the back of the control room and observe everything that goes on. There is the technical side of the recording process which involves all of the electronic manipulations that the engineer does to the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mastering Techniques With Dave Kutch</title>
		<link>http://www.acousticfields.com/mastering-techniques-with-dave-kutch/</link>
		<comments>http://www.acousticfields.com/mastering-techniques-with-dave-kutch/#comments</comments>
		<pubDate>Fri, 18 May 2012 15:08:22 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1720</guid>
		<description><![CDATA[If you are an audio engineer, you cannot afford to miss this video logicblog.info. World renowned audio engineer Dave Kutch who has produced artists such as Alicia Keys, The Roots, and John Legend is in the video explaining some of his techniques for mixing and mastering. This video may be the best seven minutes of [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/mastering-techniques-with-dave-kutch/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Beginners Guide To Audio Production</title>
		<link>http://www.acousticfields.com/a-beginners-guide-to-audio-production/</link>
		<comments>http://www.acousticfields.com/a-beginners-guide-to-audio-production/#comments</comments>
		<pubDate>Fri, 18 May 2012 14:03:12 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1718</guid>
		<description><![CDATA[I would like to share this article from audio.tutsplus.com by Adrian Try for my daily audiophile roundup. The type of computer a beginner should use for audio production is a question that has been asked over and over again by aspiring audio engineers. With so many different variables to choose from, it&#8217;s no wonder that [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/a-beginners-guide-to-audio-production/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Were CDs Too Expensive?</title>
		<link>http://www.acousticfields.com/were-cds-too-expensive/</link>
		<comments>http://www.acousticfields.com/were-cds-too-expensive/#comments</comments>
		<pubDate>Fri, 18 May 2012 12:00:37 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1716</guid>
		<description><![CDATA[David Andrew Wiebe daw-music.com talks about how many people believe that CDs were too expensive and that&#8217;s why the general public has resorted to downloading &#8220;free&#8221; music instead of buying it themselves. He feels that this argument is bunk for five different reasons, including the fact that consumers were never forced to buy CDs and [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/were-cds-too-expensive/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Friday Mailbag &#8211; Studio Tube Trap Problem</title>
		<link>http://www.acousticfields.com/friday-mailbag-studio-tube-trap-problem/</link>
		<comments>http://www.acousticfields.com/friday-mailbag-studio-tube-trap-problem/#comments</comments>
		<pubDate>Fri, 18 May 2012 02:00:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1543</guid>
		<description><![CDATA[Hi Mike, I&#8217;m helping a friend with his studio. He&#8217;s got a live room which is roughly 25&#8243;x8&#8243;x9&#8243;. It&#8217;s pretty much a square concrete tube with acoustic foam in some spaces but not enough to cover all. Any suggestions on how to treat the tube resonance issues? Would rock wool traps help? Any ideas or [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/friday-mailbag-studio-tube-trap-problem/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sound On Sound Magazine</title>
		<link>http://www.acousticfields.com/sound-on-sound-magazine/</link>
		<comments>http://www.acousticfields.com/sound-on-sound-magazine/#comments</comments>
		<pubDate>Fri, 18 May 2012 02:00:05 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[acoustic foam]]></category>
		<category><![CDATA[diaphragmatic absorption]]></category>
		<category><![CDATA[Paul white]]></category>
		<category><![CDATA[side wall reflections]]></category>
		<category><![CDATA[Sound On Sound]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1412</guid>
		<description><![CDATA[Sound On Sound Magazine I always go to the book store and buy Sound on Sound magazine. Sure, I could get it on line, but I like the physical magazine. I like reading it instead of looking at my computer screen all the time. A magazine is a good break from the electronics. I can [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/sound-on-sound-magazine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do It Right</title>
		<link>http://www.acousticfields.com/do-it-right/</link>
		<comments>http://www.acousticfields.com/do-it-right/#comments</comments>
		<pubDate>Thu, 17 May 2012 14:10:41 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1703</guid>
		<description><![CDATA[Joe Glider of homestudiocorner.com reflects on time recently spent in the studio recording some new songs. He talks about the importance of taking the extra time to make sure you are doing your best work while in studio. He quotes his friend and band mate as saying &#8220;If you&#8217;re gonna do it, you might as [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/do-it-right/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bon Iver &#8220;Holocence&#8221; Song Analysis</title>
		<link>http://www.acousticfields.com/bon-iver-holocence-song-analysis/</link>
		<comments>http://www.acousticfields.com/bon-iver-holocence-song-analysis/#comments</comments>
		<pubDate>Thu, 17 May 2012 12:23:17 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1705</guid>
		<description><![CDATA[Check out this article written by Bobby Owsinski. He writes about the song &#8220;Holocene&#8221; from the Bon Iver album which was recorded by Justin Vernon at April Bay Studios. It is unique in that it is only a verse/chorus form and has no bridge. The song is kept interesting and dynamic using the entrance and [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/bon-iver-holocence-song-analysis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Talking With The Giants Of Audio Engineering</title>
		<link>http://www.acousticfields.com/talking-with-the-giants-of-audio-engineering/</link>
		<comments>http://www.acousticfields.com/talking-with-the-giants-of-audio-engineering/#comments</comments>
		<pubDate>Thu, 17 May 2012 04:25:05 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1707</guid>
		<description><![CDATA[For my daily audiophile roundup I want to share this post from audiophilereview.com by Steven Stone. He talks about four audiophile sound engineers/audio designers. Author Steven Stone had previously interviewed J. Gordon Holt, Henry Kloss, Les Paul, and Ed Villchur for various writing assignments. This article has a brief overview of some commonalities and then [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/talking-with-the-giants-of-audio-engineering/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Joe Gilder With &#8220;Leave Room for the Creative Spirit&#8221;</title>
		<link>http://www.acousticfields.com/joe-gilder-with-leave-room-for-the-creative-spirit/</link>
		<comments>http://www.acousticfields.com/joe-gilder-with-leave-room-for-the-creative-spirit/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:15:10 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1677</guid>
		<description><![CDATA[I came across this article written by the always excellent Joe Gilder of homestudiocorner.com which is aimed at smaller studio audio recording engineers. It concerns the importance of allowing for artistic creativity in this endeavor. He notes that he has stressed the aspects of careful planning with the technical machinations of aural engineering. This time [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/joe-gilder-with-leave-room-for-the-creative-spirit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The $485 Volume Knob</title>
		<link>http://www.acousticfields.com/the-485-volume-knob/</link>
		<comments>http://www.acousticfields.com/the-485-volume-knob/#comments</comments>
		<pubDate>Wed, 16 May 2012 14:13:31 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1675</guid>
		<description><![CDATA[I would like to share this post by Bobby Owsinski which is directed toward high end audiophiles, the phenomena of ripping off a purchaser of high end consumer electronics is covered with an example. Perceived value can be exaggerated to make a sale, and in this case it&#8217;s the marketing of wooden replacement knobs for [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-485-volume-knob/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Hard Life In Music Production</title>
		<link>http://www.acousticfields.com/a-hard-life-in-music-production/</link>
		<comments>http://www.acousticfields.com/a-hard-life-in-music-production/#comments</comments>
		<pubDate>Wed, 16 May 2012 12:01:42 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1673</guid>
		<description><![CDATA[I would like to share this post by sound engineer Kim Lajoie on his blog for my daily audiophile roundup. He uses the example of a quote concerning the news reporting industry and transfers its meaning to the music production industry. The idea is that in both fields there is an honest consumer demand, e.g. [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/a-hard-life-in-music-production/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wednesday Mailbag &#8211; Putting In False Wall</title>
		<link>http://www.acousticfields.com/wednesday-mailbag-putting-in-false-wall/</link>
		<comments>http://www.acousticfields.com/wednesday-mailbag-putting-in-false-wall/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:00:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1541</guid>
		<description><![CDATA[Hi Mike, I&#8217;m converting a bedroom into a control room and I could really do with your advice. The dimensions are 12ft by 7ft and I&#8217;d like to split it in two using a false build wall. Budget&#8217;s not really an issue. The floor is concrete and the walls are stud brick. Basically I&#8217;m looking [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/wednesday-mailbag-putting-in-false-wall/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Room Acoustics: Science and Art</title>
		<link>http://www.acousticfields.com/room-acoustics-science-and-art/</link>
		<comments>http://www.acousticfields.com/room-acoustics-science-and-art/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:00:08 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Environmental Building]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass absorber]]></category>
		<category><![CDATA[bass boom]]></category>
		<category><![CDATA[diaphragmatic absorption]]></category>
		<category><![CDATA[resonances]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1367</guid>
		<description><![CDATA[Room Sound It is amazing to me that each room we go into has a different &#8220;sound&#8221; to it. Some rooms (most) have a lot of bass energy. Some have low reverberation times, some high. Sound stage presence ranges from small to not so small. Individual vocals and instruments can be heard or smothered in [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/room-acoustics-science-and-art/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wednesday Mailbag &#8211; Soundproof a Studio Space in NYC</title>
		<link>http://www.acousticfields.com/wednesday-mailbag-soundproof-a-studio-space-in-nyc/</link>
		<comments>http://www.acousticfields.com/wednesday-mailbag-soundproof-a-studio-space-in-nyc/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:00:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[barrier technology]]></category>
		<category><![CDATA[sound proofing]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1447</guid>
		<description><![CDATA[Hi Mike, I want to soundproof my home recording studio from scratch. It measures 35 ft by 38 ft and has a 10 ft. ceiling. I&#8217;ll need to soundproof the walls, floor and ceiling as it&#8217;s in a residential complex in NYC. I&#8217;ve only ever used foam and didn&#8217;t cover the whole space so what [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/wednesday-mailbag-soundproof-a-studio-space-in-nyc/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Embracing The Pro Tools Generation</title>
		<link>http://www.acousticfields.com/embracing-the-pro-tools-generation/</link>
		<comments>http://www.acousticfields.com/embracing-the-pro-tools-generation/#comments</comments>
		<pubDate>Tue, 15 May 2012 16:47:32 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1649</guid>
		<description><![CDATA[Check out this post from therecordingrevolution.com written by Graham. If you are an advanced user of mixing music at home this is a must read. He is championing the use of digital recording and mixing over analog. He uses a mix of personal experience and the perceived benefits of favoring digital over analog to do [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/embracing-the-pro-tools-generation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Latest On &#8220;Mastered For iTunes&#8221;</title>
		<link>http://www.acousticfields.com/the-latest-on-mastered-for-itunes/</link>
		<comments>http://www.acousticfields.com/the-latest-on-mastered-for-itunes/#comments</comments>
		<pubDate>Tue, 15 May 2012 15:49:35 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1651</guid>
		<description><![CDATA[I came across this post by Bobby Owsinski on his blog bobbyowsinski.blogspot.com which I thought was pretty interesting. Apple, in keeping up with the latest technology, has announced the new &#8220;mastered for I Tunes Program.&#8221; This means the consumer is getting a much higher quality resolution from their music source. Basically Apple &#8220;intervenes&#8221; with a [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-latest-on-mastered-for-itunes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What&#8217;s Your Excuse For Delaying Your Album?</title>
		<link>http://www.acousticfields.com/whats-your-excuse-for-delaying-your-album/</link>
		<comments>http://www.acousticfields.com/whats-your-excuse-for-delaying-your-album/#comments</comments>
		<pubDate>Tue, 15 May 2012 13:46:00 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1647</guid>
		<description><![CDATA[I would like to share this post from homestudiocorner.com by Joe Gilder for my daily audiophile roundup. He writes about Joel who is both a teacher and bass musician. When he wanted to make an album during summer break, he didn&#8217;t have Pro Tools or Reason or other recording studio equipment; he&#8217;d never done the [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/whats-your-excuse-for-delaying-your-album/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Get to Know Your Gear</title>
		<link>http://www.acousticfields.com/get-to-know-your-gear/</link>
		<comments>http://www.acousticfields.com/get-to-know-your-gear/#comments</comments>
		<pubDate>Mon, 14 May 2012 17:12:27 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1639</guid>
		<description><![CDATA[Jeff Tolbert of filmscoring.info&#160; talks about the importance of taking time to learn and relearn sound equipment in this article. He gives several examples of when he needed to produce a sound but was not familiar enough with his equipment to produce the sound he needed. He suggests each month re-reading manuals and taking online [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/get-to-know-your-gear/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Record Live Shows</title>
		<link>http://www.acousticfields.com/how-to-record-live-shows/</link>
		<comments>http://www.acousticfields.com/how-to-record-live-shows/#comments</comments>
		<pubDate>Mon, 14 May 2012 15:56:12 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1637</guid>
		<description><![CDATA[I came across an article written by James Cadwallader of prosoundweb.com which I thought was interesting. He offers some great advice not only for the performing artist or band, but for engineers and producers. His article advises you on what to do when you are recording live shows. He also advises us on his favorite [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-record-live-shows/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monday Mailbag &#8211; 50hz boom problem</title>
		<link>http://www.acousticfields.com/monday-mailbag-50hz-boom-problem/</link>
		<comments>http://www.acousticfields.com/monday-mailbag-50hz-boom-problem/#comments</comments>
		<pubDate>Mon, 14 May 2012 15:00:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1539</guid>
		<description><![CDATA[Hi Mike, I&#8217;m adapting the front room of my apartment so it can be used as a home studio. The problem is the sound is awful at present with an annoying long boom in the 50Hz range and strong mode issues between 100 and 150 or so. I believe it is because of the brick [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/monday-mailbag-50hz-boom-problem/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Get Instant Separation In Your Mix</title>
		<link>http://www.acousticfields.com/get-instant-separation-in-your-mix/</link>
		<comments>http://www.acousticfields.com/get-instant-separation-in-your-mix/#comments</comments>
		<pubDate>Mon, 14 May 2012 13:44:15 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1641</guid>
		<description><![CDATA[Some quick pointers on efficient mixing of multiple tracks are discussed briefly by Graham which I came across on therecordingrevolution.com for my daily audiophile roundup. His solution is to allocate all output to one of three speaker points &#8211; called LCR Panning or LCR Mixing &#8211; which reduces jamming of tracks with output distribtuted at [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/get-instant-separation-in-your-mix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Diaphragmatic Absorbers &#8211; All Powerful</title>
		<link>http://www.acousticfields.com/diaphragmatic-absorbers-all-powerful/</link>
		<comments>http://www.acousticfields.com/diaphragmatic-absorbers-all-powerful/#comments</comments>
		<pubDate>Mon, 14 May 2012 02:00:28 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[activated carbon absorbers]]></category>
		<category><![CDATA[diaphragmatic absorbers]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1334</guid>
		<description><![CDATA[There is one basic types of low frequency absorber in the marketplace today. This absorber is termed a diaphragmatic absorber. A diaphragmatic absorber is a box or panel that has a face that is designed to vibrate or move with the sound pressure that is exerted upon it.  Diaphragmatic absorbers have a membrane or some  [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/diaphragmatic-absorbers-all-powerful/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Low Frequency Absorption Real Or Imagined</title>
		<link>http://www.acousticfields.com/low-frequency-product-absorption-real-or/</link>
		<comments>http://www.acousticfields.com/low-frequency-product-absorption-real-or/#comments</comments>
		<pubDate>Sat, 12 May 2012 02:00:49 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass absorbers]]></category>
		<category><![CDATA[low frequency absorber]]></category>
		<category><![CDATA[sabins]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1320</guid>
		<description><![CDATA[What is the definition of low frequency when it comes to our playback and recording environments. I have asked that very question in numerous forums and discussion groups over the last few months. Responses range from the classic quoting of frequencies off of known tables and charts to whimsical ones that claim a low frequency [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/low-frequency-product-absorption-real-or/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Friday Mailbag &#8211; Can I Paint My Acoustic Ceiling Tiles</title>
		<link>http://www.acousticfields.com/friday-mailbag-can-i-paint-my-acoustic-ceiling-tiles/</link>
		<comments>http://www.acousticfields.com/friday-mailbag-can-i-paint-my-acoustic-ceiling-tiles/#comments</comments>
		<pubDate>Fri, 11 May 2012 13:28:32 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[acoustically transparent fabrics]]></category>
		<category><![CDATA[air flow]]></category>
		<category><![CDATA[ceiling tiles]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1449</guid>
		<description><![CDATA[Hi Mike, Thanks for hooking us up with your ACDA series. It&#8217;s made a huge difference to the sound in my room. I&#8217;m wondering if I can paint them and/or the ceiling tiles you sent? Will it have a noticeable effect on the sound or make no difference? Also I&#8217;m having trouble hanging some of [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/friday-mailbag-can-i-paint-my-acoustic-ceiling-tiles/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ignoring the Obvious in the Studio</title>
		<link>http://www.acousticfields.com/ignoring-the-obvious-in-the-studio/</link>
		<comments>http://www.acousticfields.com/ignoring-the-obvious-in-the-studio/#comments</comments>
		<pubDate>Fri, 11 May 2012 03:42:52 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1518</guid>
		<description><![CDATA[I want to share this article written by Joe Gilder of homestudiocorner.com for my daily audiophile roundup. He writes that sometimes the answer you are looking for is right in front of your face. Just because there are so many high technology devices available for use, it does not mean you should expect them to [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/ignoring-the-obvious-in-the-studio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pro Tools Tip: Don&#8217;t Undo, Abort!</title>
		<link>http://www.acousticfields.com/pro-tools-tip-dont-undo-abort/</link>
		<comments>http://www.acousticfields.com/pro-tools-tip-dont-undo-abort/#comments</comments>
		<pubDate>Thu, 10 May 2012 18:51:23 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1499</guid>
		<description><![CDATA[Check out this post on silverlakestudio.com written by the always worth paying attention to Travis Whitmore. If you are an audio engineer using protools, then you know about shortcuts. Hitting Ctrl+S Saves your work, and it&#8217;s good to do this often so you don&#8217;t end up wasting hours of time. Instead of undoing bad takes, [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/pro-tools-tip-dont-undo-abort/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Mix Vocals To Sit On Top</title>
		<link>http://www.acousticfields.com/how-to-mix-vocals-to-sit-on-top/</link>
		<comments>http://www.acousticfields.com/how-to-mix-vocals-to-sit-on-top/#comments</comments>
		<pubDate>Thu, 10 May 2012 17:47:04 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1497</guid>
		<description><![CDATA[I came across this article on therecordingrevolution.com written by Graham that I thought I would share. Great recordings all have one thing in common, great vocals. How do most audio engineers seem to get the vocals to lay ever so gently on top of the track? According to this article, using vocal compression, riding the [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-mix-vocals-to-sit-on-top/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do Your Headphones Annoy You?</title>
		<link>http://www.acousticfields.com/do-your-headphones-annoy-you/</link>
		<comments>http://www.acousticfields.com/do-your-headphones-annoy-you/#comments</comments>
		<pubDate>Thu, 10 May 2012 16:40:52 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1493</guid>
		<description><![CDATA[I would like to share this article from audiophilereview.com by Steven Stone with you. He talks about the comfort level of headphones and states that commonly, headphone users are uncomfortable with their headphones at first. After some minor adjustments they become much more favorable to the shape of the headphones. He goes onto claim that [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/do-your-headphones-annoy-you/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The SM57 Challenge And Why You Should Set Limitations in the Studio</title>
		<link>http://www.acousticfields.com/the-sm57-challenge-and-why-you-should-set-limitations-in-the-studio/</link>
		<comments>http://www.acousticfields.com/the-sm57-challenge-and-why-you-should-set-limitations-in-the-studio/#comments</comments>
		<pubDate>Thu, 10 May 2012 15:43:09 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1495</guid>
		<description><![CDATA[I want to share this post I came across on homestudiocorner.com which was writtten by the always insightful Joe Gilder for today&#8217;s daily audio roundup. How many times have you sat down at your digital audio workstation, loaded up a hundred plugins, fiddled with dozens of microphones, preamps, and outboard&#8230; and then gotten bored and [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-sm57-challenge-and-why-you-should-set-limitations-in-the-studio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Building Of A PLE With A Living Roof</title>
		<link>http://www.acousticfields.com/the-building-of-a-ple-with-a-living-roof/</link>
		<comments>http://www.acousticfields.com/the-building-of-a-ple-with-a-living-roof/#comments</comments>
		<pubDate>Thu, 10 May 2012 02:00:49 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Environmental Building]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[barrier technology]]></category>
		<category><![CDATA[personal listening environment]]></category>
		<category><![CDATA[room resonances.]]></category>
		<category><![CDATA[sound absorption]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1255</guid>
		<description><![CDATA[Building a listening room from scratch or as they say in the construction business from the &#8220;ground up&#8221; is the best way to eliminate any acoustical issues from the drawing phase through the build out. The most important single variable in the drawing phase is the room&#8217;s dimensions. Choosing the correct room dimensions from the [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-building-of-a-ple-with-a-living-roof/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Movie All About Audiophiles &#8211; What More Could You Want?</title>
		<link>http://www.acousticfields.com/a-movie-all-about-audiophiles-what-more-could-you-want/</link>
		<comments>http://www.acousticfields.com/a-movie-all-about-audiophiles-what-more-could-you-want/#comments</comments>
		<pubDate>Tue, 08 May 2012 19:38:27 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1468</guid>
		<description><![CDATA[I want to share this article by Bobby of bobbyowsinski.blogspot.com about a great film about audiophiles; while they were once made fun of for their obsession, they&#8217;re starting to be missed. In the &#8216;70s, good playback was as important as good phones are now. While technology has advanced, sound systems themselves are not as high [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/a-movie-all-about-audiophiles-what-more-could-you-want/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monday Mailbag &#8211; Soundproofing For A Music Room</title>
		<link>http://www.acousticfields.com/monday-mailbag-soundproofing-for-a-music-room/</link>
		<comments>http://www.acousticfields.com/monday-mailbag-soundproofing-for-a-music-room/#comments</comments>
		<pubDate>Tue, 08 May 2012 16:58:43 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[barrier technology]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1445</guid>
		<description><![CDATA[Hi Mike, What options do I need to consider if I&#8217;m going to help my Dad soundproof his music room? He&#8217;s in the process of building a home studio entirely from wood and it will also house a separate home theatre room. What materials do we need to consider for both, what kind of costs [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/monday-mailbag-soundproofing-for-a-music-room/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why A Mono Drum Overhead Is The Right Answer</title>
		<link>http://www.acousticfields.com/why-a-mono-drum-overhead-is-the-right-answer/</link>
		<comments>http://www.acousticfields.com/why-a-mono-drum-overhead-is-the-right-answer/#comments</comments>
		<pubDate>Tue, 08 May 2012 16:36:09 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1466</guid>
		<description><![CDATA[Check out this article from therecordingrevolution.comfor by Graham for today&#8217;s daily audiophile roundup. Have you ever tried a mono drum? It&#8217;s likely you have had some issues recording sound from your drum kit since there are many different sounds to record. However, it is very important to capture the power and realism of the drums [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/why-a-mono-drum-overhead-is-the-right-answer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monitoring Vs. Playback Environments</title>
		<link>http://www.acousticfields.com/monitoring-vs-playback-environments/</link>
		<comments>http://www.acousticfields.com/monitoring-vs-playback-environments/#comments</comments>
		<pubDate>Tue, 08 May 2012 02:00:21 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[comb filtering]]></category>
		<category><![CDATA[control room]]></category>
		<category><![CDATA[direct sound]]></category>
		<category><![CDATA[monitoring room]]></category>
		<category><![CDATA[room treatment]]></category>
		<category><![CDATA[side wall reflections]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1241</guid>
		<description><![CDATA[Monitoring rooms or control rooms have one main objective at the monitoring position. The acoustic goal is to hear every vocal and instrument in the recorded mix without hearing any control room sound. They are continually striving for accuracy. If they can hear everything in the mix, they are better able to make parts do [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/monitoring-vs-playback-environments/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mix Magazine Tech Talk &#8211; Kevin Becka</title>
		<link>http://www.acousticfields.com/mix-magazine-tech-talk-kevin-becka/</link>
		<comments>http://www.acousticfields.com/mix-magazine-tech-talk-kevin-becka/#comments</comments>
		<pubDate>Sun, 06 May 2012 20:00:30 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass absorbers]]></category>
		<category><![CDATA[kevin bocka]]></category>
		<category><![CDATA[mix magazine]]></category>
		<category><![CDATA[monitoring room]]></category>
		<category><![CDATA[side wall reflections]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1220</guid>
		<description><![CDATA[I recently read Kevin Becka&#8217;s article in April&#8217;s issue of Mix Magazine Tech Talk entitled,&#8221;I need Treatment&#8221;. Kevin walked us through his approach to acoustically treating his new monitoring room. He chose an initial balance of diffusion and absorption technology to begin the process. He also warned us about thinking our current equipment set up [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/mix-magazine-tech-talk-kevin-becka/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ToneBytes releases Vinyl effect plugin</title>
		<link>http://www.acousticfields.com/tonebytes-releases-vinyl-effect-plugin/</link>
		<comments>http://www.acousticfields.com/tonebytes-releases-vinyl-effect-plugin/#comments</comments>
		<pubDate>Fri, 04 May 2012 18:45:20 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1436</guid>
		<description><![CDATA[Check out this other post from rekkerd.org which talks about another new product on the market that imitates an old product. As well you know old vinyl records emitted certain noises that are no longer heard on modern day recordings. ToneBytes has created a free plug in that imitates these sounds. The plug in can [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/tonebytes-releases-vinyl-effect-plugin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dirty Bits Effect Plug-in &#8211; Bring Back That Vinyl Sound</title>
		<link>http://www.acousticfields.com/dirty-bits-effect-plug-in-bring-back-that-vinyl-sound/</link>
		<comments>http://www.acousticfields.com/dirty-bits-effect-plug-in-bring-back-that-vinyl-sound/#comments</comments>
		<pubDate>Fri, 04 May 2012 18:44:19 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1434</guid>
		<description><![CDATA[Check out this post on rekkerd.org which mentions the release of an audio effects software package plug-in called Dirty Bits, put out by Mecha Audio. The three effects are Compressor (using gain and damage control), Vintage Bit Crusher (which emulates classic hardware devices), and Vinyl Device (which adds vinyl damage and hum). The cost to [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/dirty-bits-effect-plug-in-bring-back-that-vinyl-sound/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Record Store Day 2012 &#8211; How Did You Celebrate?</title>
		<link>http://www.acousticfields.com/record-store-day-2012-how-did-you-celebrate/</link>
		<comments>http://www.acousticfields.com/record-store-day-2012-how-did-you-celebrate/#comments</comments>
		<pubDate>Fri, 04 May 2012 16:47:02 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1438</guid>
		<description><![CDATA[I would like to share this post I came across on stereophile.com written by Stephen Mejias which is all about how he planned and then carried out his way of celebrating Record Store Day 2012. Having first decided to go to one if his favorite stores, he was then lured by J&#38;R Music World in [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/record-store-day-2012-how-did-you-celebrate/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mic With Your Ears, Not Your Eyes</title>
		<link>http://www.acousticfields.com/mic-with-your-ears-not-your-eyes/</link>
		<comments>http://www.acousticfields.com/mic-with-your-ears-not-your-eyes/#comments</comments>
		<pubDate>Fri, 04 May 2012 14:40:17 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=1432</guid>
		<description><![CDATA[Check out this article on prosoundweb.com by Bruce A. Miller which is aimed at the audio recording engineers audience. In particular he discusses microphone placement decisions made when arranging a physical setup for a band. The advice given is to arrange the microphone placement by using your ears instead of your eyes a rule I&#8217;ve [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/mic-with-your-ears-not-your-eyes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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