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	<lastBuildDate>Mon, 20 May 2013 03:00:24 +0000</lastBuildDate>
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		<title>Perforated Panel Absorbers Vs Diaphragmatic Absorbers</title>
		<link>http://www.acousticfields.com/perforated-panel-absorbers/</link>
		<comments>http://www.acousticfields.com/perforated-panel-absorbers/#comments</comments>
		<pubDate>Mon, 20 May 2013 03:00:24 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6244</guid>
		<description><![CDATA[Perforated Panel Absorbers &#8211; Hybrid Perforated panel absorbers are a type of hybrid absorber. They are a cross between a membrane absorber and a diaphragmatic absorber. They are probably equal in performance to a membrane absorber but not capable of going as low as a diaphragmatic absorber within the given panel depth requirements. By definition [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DIY Build Plans For Absorbers And Diffusors</title>
		<link>http://www.acousticfields.com/diy-plans-for-absorbers-and-diffusors/</link>
		<comments>http://www.acousticfields.com/diy-plans-for-absorbers-and-diffusors/#comments</comments>
		<pubDate>Wed, 15 May 2013 15:00:07 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6216</guid>
		<description><![CDATA[Sound Absorption / Diffusion We have two major choices to make regarding the management of sound energy within our home theater, personal listening, and professional control rooms. We can absorb or diffuse sound energy in order to manage it correctly.  We can use absorption to manage low, middle, and high frequencies. We can use diffusion [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Rehearsal Room</title>
		<link>http://www.acousticfields.com/how-to-soundproof-a-rehearsal-room/</link>
		<comments>http://www.acousticfields.com/how-to-soundproof-a-rehearsal-room/#comments</comments>
		<pubDate>Sat, 11 May 2013 15:00:51 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5786</guid>
		<description><![CDATA[What Are We Rehearsing? If we are going to answer the question on how to soundproof a rehearsal room, we must first define what we are rehearsing. Is it vocals or instruments? Is it one vocal or many. Is it a single instrument or a small band. We need to know the amount of energy [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-soundproof-a-rehearsal-room/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Electricity For And In Our Recording Studios</title>
		<link>http://www.acousticfields.com/photoelectric-energy-for-our-recording-studios/</link>
		<comments>http://www.acousticfields.com/photoelectric-energy-for-our-recording-studios/#comments</comments>
		<pubDate>Tue, 07 May 2013 15:00:53 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Electronics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6146</guid>
		<description><![CDATA[Grid Noise We all know that the energy we receive from our local utility is full of noise. There is a whole industry out there of power conditioning companies who will for a fee provide you with a filter to take this noise or that noise out of the grid system for you. Gear companies [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/photoelectric-energy-for-our-recording-studios/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sound Transmission Class (STC) Unraveled</title>
		<link>http://www.acousticfields.com/sound-transmission-class-stc-unraveled/</link>
		<comments>http://www.acousticfields.com/sound-transmission-class-stc-unraveled/#comments</comments>
		<pubDate>Fri, 03 May 2013 15:00:35 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6101</guid>
		<description><![CDATA[STC Defined STC or sound transmission class is a rating system used mostly in North America to measure or rather assign a number to the ability of a barrier or partition to inhibit sound energy from passing through it. Outside North America, they use a term called SRI or sound reduction index.  STC is an [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/sound-transmission-class-stc-unraveled/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Don&#8217;t Be An Audio Fool.</title>
		<link>http://www.acousticfields.com/dont-be-an-audio-fool/</link>
		<comments>http://www.acousticfields.com/dont-be-an-audio-fool/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 15:00:47 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6085</guid>
		<description><![CDATA[ Two Channel Set Up Misunderstandings I see and hear many things when it comes to the set up of two channel stereo that makes me wonder if individuals that own these systems have done any type of study at all on how to set up a system properly. I see speakers set up in corners, [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/dont-be-an-audio-fool/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Inside And Outside Of Our Rooms</title>
		<link>http://www.acousticfields.com/inside-outside-of-our-rooms/</link>
		<comments>http://www.acousticfields.com/inside-outside-of-our-rooms/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 15:00:13 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound dissusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6061</guid>
		<description><![CDATA[Room Shell There is much confusion these days about the two separate and distinct functions that must be assigned to our listening, recording, and home theater rooms. Our rooms are really two rooms in one and must be viewed and designed accordingly. In our music rooms, we must deal and address the sound energy that [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/inside-outside-of-our-rooms/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Smaller Rooms / Larger Absorbers</title>
		<link>http://www.acousticfields.com/smaller-rooms-larger-absorbers/</link>
		<comments>http://www.acousticfields.com/smaller-rooms-larger-absorbers/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 15:00:33 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6040</guid>
		<description><![CDATA[Smaller Rooms / Low Frequency In a lecture at Drexel University on acoustics, John Storyk of WSDG, the premier recording studio designer with offices across the globe, stated that the trend towards the future in the recording studio market is smaller rooms with creative low frequency management technologies to manage the room resonances that go [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/smaller-rooms-larger-absorbers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tuning A Listening Room</title>
		<link>http://www.acousticfields.com/tuning-a-listening-room/</link>
		<comments>http://www.acousticfields.com/tuning-a-listening-room/#comments</comments>
		<pubDate>Thu, 18 Apr 2013 15:00:34 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6018</guid>
		<description><![CDATA[Professional Vs. Consumer We work both in the professional and consumer markets. They are the same in some respects but radically different in others. Both seek &#8220;good&#8221; sound quality, but go about it in different ways. The professionals use their room and the sound in it to make a living through the recording process. The [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/tuning-a-listening-room/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MIM &#8211; Musical Instrument Museum</title>
		<link>http://www.acousticfields.com/mim-musical-instrument-museum/</link>
		<comments>http://www.acousticfields.com/mim-musical-instrument-museum/#comments</comments>
		<pubDate>Sun, 14 Apr 2013 21:00:32 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=6165</guid>
		<description><![CDATA[MIM &#8211; Scottsdale, Arizona USA The MIM is located in Scottsdale, Arizona and is exactly what the name implies. It is a museum of musical instruments from all of the world. We have musical instruments from Asia, Africa, and South America, to name but a few. The MIM also has a guitar section featuring guitars, [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/mim-musical-instrument-museum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Build A Dedicated Listening Room Part 4</title>
		<link>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-4/</link>
		<comments>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-4/#comments</comments>
		<pubDate>Wed, 10 Apr 2013 20:00:11 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5963</guid>
		<description><![CDATA[Parts 1 &#8211; 3 In part one of this series, we discussed how important it was to choose the correct room size. In part two, we discussed speaker and listening position and its importance to room frequency response. Part three discussed low, middle, and high frequency room treatment. In this part four, we will focus [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Build A Dedicated Listening Room Part 3.</title>
		<link>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-three/</link>
		<comments>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-three/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 20:00:32 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5946</guid>
		<description><![CDATA[Part 1 &#8211; Part 2 In part one of this series on How To Build A Dedicated Listening Room, we focused on room size. Starting with the correct room size is critical and sets the stage for the type of acoustical issues you must deal with down the road. Part two focused on positioning of [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-three/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Build A Dedicated Listening Room Part 2</title>
		<link>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-two/</link>
		<comments>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-two/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 11:00:52 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5926</guid>
		<description><![CDATA[Part One In part one of this series, we focused strictly on room size and volume. It is the most single important variable when it comes to realizing the full potential of our music systems. Without the room to run free, low frequency energy builds up within our rooms and excites the air inside our [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-build-a-dedicated-listening-room-part-two/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Build A Dedicated Listening Room Part 1.</title>
		<link>http://www.acousticfields.com/ode-to-the-dedicated-listening-room/</link>
		<comments>http://www.acousticfields.com/ode-to-the-dedicated-listening-room/#comments</comments>
		<pubDate>Thu, 28 Mar 2013 20:00:23 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5902</guid>
		<description><![CDATA[Dedicated Listening Room A dedicated listening room is just what the name implies. It is a room dedicated to listening to music in. It is usually a two channel system with left and right channel along with the listening chair. The dedicated listening room is not for any other use. It is not for playing [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/ode-to-the-dedicated-listening-room/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Sound Of The Living Roof Project</title>
		<link>http://www.acousticfields.com/the-sound-of-the-living-roof-project/</link>
		<comments>http://www.acousticfields.com/the-sound-of-the-living-roof-project/#comments</comments>
		<pubDate>Sun, 24 Mar 2013 20:00:29 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5877</guid>
		<description><![CDATA[Living Roof Project The living roof project is the name we gave to a structure we built for a client in Arizona. The reason we called it the living roof project was because on the roof of the structure was 18&#8243; of top soil that included its own irrigation system and solar panels to provide [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-sound-of-the-living-roof-project/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>River Rock Barrier Build</title>
		<link>http://www.acousticfields.com/outside-barrier-technology/</link>
		<comments>http://www.acousticfields.com/outside-barrier-technology/#comments</comments>
		<pubDate>Wed, 20 Mar 2013 00:00:00 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5995</guid>
		<description><![CDATA[High End Clients We have the good fortune of working with very high end clients. These clients have the funds to see a project through from the design to completion without too much concern over costs. Even though money is no object, price is always a concern, but a few thousand here and there is [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/outside-barrier-technology/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Recording Studio</title>
		<link>http://www.acousticfields.com/how-to-soundproof-a-recording-studio/</link>
		<comments>http://www.acousticfields.com/how-to-soundproof-a-recording-studio/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 20:00:24 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5691</guid>
		<description><![CDATA[Recording / Monitoring How to soundproof a recording studio can be broken down into two main parts. First, we have the recording environment. Is it for recording vocals, drums, choir, band? What will the sound producing sources be that will be recorded? The second part is the monitoring or playback environment. Is it the mixing, [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-soundproof-a-recording-studio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof For Drums</title>
		<link>http://www.acousticfields.com/how-to-soundproof-for-drums/</link>
		<comments>http://www.acousticfields.com/how-to-soundproof-for-drums/#comments</comments>
		<pubDate>Thu, 14 Mar 2013 20:00:30 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5782</guid>
		<description><![CDATA[Energy Management How to sound proof a room for drums is all about energy management. Drums produce a lot of energy at many different frequencies. Bass drums can produce energy at 30 Hz. Toms can produce energy starting at 80 cycles and snares fall in between. So, we have an energy producing device that is [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-soundproof-for-drums/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Bedroom</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-a-bedroom/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-a-bedroom/#comments</comments>
		<pubDate>Sun, 10 Mar 2013 20:00:08 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5689</guid>
		<description><![CDATA[Not An Easy Question To Answer How do we soundproof a bedroom ? That&#8217;s not an easy question. A bedroom is surrounded by other rooms in most cases. All that separates a bedroom from the other rooms is an interior wall that is usually made from 2&#8243; x 4&#8243; or 2&#8243; x 6&#8243; wood frame [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-sound-proof-a-bedroom/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Floor</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-a-floor/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-a-floor/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 20:00:10 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5687</guid>
		<description><![CDATA[How To Soundproof A Floor If one was going to write a book on how to soundproof a floor, the first thing that comes to mind is floating. Our floor however, we construct it, must &#8220;float&#8221; or be mechanically decoupled from the existing structure. There must be an air space between our new floor and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Basement</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-a-basement/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-a-basement/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 20:00:04 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5685</guid>
		<description><![CDATA[Ceiling First How to sound proof a basement must be approached from the top down. Our ceiling to our basement is really the floor of the next level above us. The walls are usually block or poured concrete which provides another barrier layer. To our sides, behind the side walls, we have lots of earth. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof An Apartment</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-an-apartment/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-an-apartment/#comments</comments>
		<pubDate>Thu, 28 Feb 2013 20:00:42 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5683</guid>
		<description><![CDATA[How To Not Soundproof An Apartment How to soundproof an apartment sounds like a daunting task. It is not easy. With paper thin interior walls and noise generating people living above, below and to the sides of you, it is not easy. Our soundproofing must also be portable and mobile, so after we get kicked [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Door</title>
		<link>http://www.acousticfields.com/how-to-soundproof-a-door/</link>
		<comments>http://www.acousticfields.com/how-to-soundproof-a-door/#comments</comments>
		<pubDate>Sun, 24 Feb 2013 20:00:08 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5679</guid>
		<description><![CDATA[Doors Have Many Functions Our doors provide many functions. We must open and close them to exit and enter the room and when we close them, we expect them to offer some control with the transmission of sound energy from one room to the other. Doors need to be viewed as a barrier between different [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Recording Studio Acoustic Treatment</title>
		<link>http://www.acousticfields.com/recording-studio-acoustic-treatment/</link>
		<comments>http://www.acousticfields.com/recording-studio-acoustic-treatment/#comments</comments>
		<pubDate>Wed, 20 Feb 2013 20:00:54 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5654</guid>
		<description><![CDATA[Two Main Categories Recording studio acoustic treatment falls into two major categories. We have sound absorption and sound diffusion technologies. Sound diffusion can be broken down into three sub categories: low, middle, and high frequency absorption. Sound diffusion is its own category but must not be confused with sound redirection. Lets exam low frequency absorption [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Sound Proof A Window</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-a-window/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-a-window/#comments</comments>
		<pubDate>Sat, 16 Feb 2013 20:00:27 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5599</guid>
		<description><![CDATA[Window Is A Wall What is a window? It is a wall that you must see through for various reasons to perform certain tasks necessary in your control rooms, project studios, or listening rooms. In order to sound proof it, you must treat it as any other structure within our room in terms of acoustical [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How To Soundproof A Room</title>
		<link>http://www.acousticfields.com/how-to-sound-proof-a-room-2/</link>
		<comments>http://www.acousticfields.com/how-to-sound-proof-a-room-2/#comments</comments>
		<pubDate>Tue, 12 Feb 2013 20:00:58 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5516</guid>
		<description><![CDATA[What Is Soundproofing? Soundproofing a room means that people want to either keep sound energy from entering a room or keep the sound made in the room, inside the room where it belongs. Most of the time both are desired. Each approach requires different science to solve and before you start any project you have [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/how-to-sound-proof-a-room-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mixing Issues And Solutions</title>
		<link>http://www.acousticfields.com/mixing-issues-and-solutions/</link>
		<comments>http://www.acousticfields.com/mixing-issues-and-solutions/#comments</comments>
		<pubDate>Fri, 08 Feb 2013 20:00:17 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Electronics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5389</guid>
		<description><![CDATA[Mixing Issues I have spoken with many engineers lately about issues they confront during the mixing process. I asked them to talk about issues that they commonly face and what they do to resolve the issues. The discussions focused mainly on equalization, compression, and time based effects. Equalization All the engineers had issues with equalization. [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/mixing-issues-and-solutions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trouble Shooting Signal Chain Distortions</title>
		<link>http://www.acousticfields.com/trouble-shooting-signal-chain-distortions/</link>
		<comments>http://www.acousticfields.com/trouble-shooting-signal-chain-distortions/#comments</comments>
		<pubDate>Mon, 04 Feb 2013 20:00:16 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Electronics]]></category>
		<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5371</guid>
		<description><![CDATA[Signal Chain Our signal chain is composed of many different components. We have instruments, vocals, microphones, cables, mixers and so on. All of these devices carry electrical energy that must be able to travel freely from the beginning of the signal chain to the speaker. Sometimes all of this equipment with each component speaking its [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/trouble-shooting-signal-chain-distortions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>All Acoustic Foams Are Not Created Equal</title>
		<link>http://www.acousticfields.com/all-acoustic-foams-are-not-created-equal/</link>
		<comments>http://www.acousticfields.com/all-acoustic-foams-are-not-created-equal/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 20:00:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5343</guid>
		<description><![CDATA[Open Celled Foams Acoustic foams or foam that absorb energy usually above 125 cycles are technically called open celled foams. Open celled foams have just what the name implies, open cells. If you look at an open celled foam closely you would see each one of these cells arranged cell to cell with no cap [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/all-acoustic-foams-are-not-created-equal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>HVAC System Noise In Our Sound Sensitive Rooms</title>
		<link>http://www.acousticfields.com/hvac-system-noise/</link>
		<comments>http://www.acousticfields.com/hvac-system-noise/#comments</comments>
		<pubDate>Wed, 23 Jan 2013 20:00:44 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5250</guid>
		<description><![CDATA[Barrier / Sound Absorption Technology In our professional recording studio and listening rooms, we now know the the two types of technology that we need to deal with the energy within our rooms and the energy that is generated from sources outside our rooms. We use barrier technology to reflect energy from outside sources back [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/hvac-system-noise/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ways To Increase Existing Wall Sound Insulation</title>
		<link>http://www.acousticfields.com/ways-to-increase-existing-wall-sound-insulation/</link>
		<comments>http://www.acousticfields.com/ways-to-increase-existing-wall-sound-insulation/#comments</comments>
		<pubDate>Sat, 19 Jan 2013 20:00:57 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5217</guid>
		<description><![CDATA[Barrier Technology When we look at our existing walls in our sound rooms, whatever the type of room we are in, we need to keep in mind that we are dealing with two very different processes. We have to keep the sound that is coming from sources outside our room, outside where it belongs. We [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Room &#8211; Resonanting Chamber</title>
		<link>http://www.acousticfields.com/room-resonanting-chamber/</link>
		<comments>http://www.acousticfields.com/room-resonanting-chamber/#comments</comments>
		<pubDate>Tue, 15 Jan 2013 20:00:21 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5167</guid>
		<description><![CDATA[Room Is Chamber What is a room? It has four walls, a floor and ceiling. It is a box or chamber. In this chamber, we introduce sound energy when we speak or play instruments. All of the sound energy sources within our room have a specific low frequency energy and a highest frequency energy that [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/room-resonanting-chamber/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Surround Sound Perceptions</title>
		<link>http://www.acousticfields.com/surround-sound-perceptions/</link>
		<comments>http://www.acousticfields.com/surround-sound-perceptions/#comments</comments>
		<pubDate>Fri, 11 Jan 2013 02:00:35 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5145</guid>
		<description><![CDATA[Sweet Spot If you set up your two channel system and sit in the &#8220;sweet spot&#8221;, you will be sitting at a spot that is equal distant from the left and right channel speakers, which are equal distance from each other. The speakers and the listening position form the apexes of an equilateral triangle. If [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/surround-sound-perceptions/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Subjective Act Of Monitoring</title>
		<link>http://www.acousticfields.com/the-subjective-act-of-monitoring/</link>
		<comments>http://www.acousticfields.com/the-subjective-act-of-monitoring/#comments</comments>
		<pubDate>Mon, 07 Jan 2013 20:00:17 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5044</guid>
		<description><![CDATA[What Is Good Sound? Most recording engineer&#8217;s I know will work on a monitor or loudspeaker that achieves the sonic results that the engineer thinks is the desired sound. There are many factors that come into play on this choice, but most important is the experience the engineer has with that particular speaker. I know [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/the-subjective-act-of-monitoring/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Loudspeaker Cables</title>
		<link>http://www.acousticfields.com/loudspeaker-cables/</link>
		<comments>http://www.acousticfields.com/loudspeaker-cables/#comments</comments>
		<pubDate>Thu, 03 Jan 2013 20:00:04 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[Room Acoustics]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[sound absorption]]></category>
		<category><![CDATA[sound diffusion]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5022</guid>
		<description><![CDATA[Resistance All speaker cables exhibit three main electrical properties: resistance, inductance, and capacitance. These three elements are mixed into the cables performance in different amounts. Resistance by definition is not welcome and should be kept at minimum levels. Resistance can reduce amplifier power and cause overheating. It also effects the damping capacity of the amplifier [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/loudspeaker-cables/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Channel D Pure Vinyl 3.1 &#124; AudioStream</title>
		<link>http://www.acousticfields.com/channel-d-pure-vinyl-3-1-audiostream/</link>
		<comments>http://www.acousticfields.com/channel-d-pure-vinyl-3-1-audiostream/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 18:00:02 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5496</guid>
		<description><![CDATA[Some people don?t like the sound of vinyl since the music can be interrupted. Others though say that they like vinyl and would like to experience it. However vinyl isn?t sold as much nowadays so people want to hear the vinyl sound in a digital way. A lot of music is now sold on digital [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/channel-d-pure-vinyl-3-1-audiostream/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creative Uses of Reverb</title>
		<link>http://www.acousticfields.com/creative-uses-of-reverb/</link>
		<comments>http://www.acousticfields.com/creative-uses-of-reverb/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 18:00:02 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5495</guid>
		<description><![CDATA[This article is for sound or audio technicians. It can also be used by anybody in the recording profession. This article talks about the use of a function called reverb. It gives a few creative examples of how to use it in your audio projects. It has many interesting uses you can use it for. [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/creative-uses-of-reverb/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Abbey Road Studios Remasters Beatles Catalog for Vinyl Release &#124; Interview with Mastering Engineer Sean Magee about The Beatles Stereo Vinyl Box Set in Mix magazine December 2012 issue</title>
		<link>http://www.acousticfields.com/abbey-road-studios-remasters-beatles-catalog-for-vinyl-release-interview-with-mastering-engineer-sean-magee-about-the-beatles-stereo-vinyl-box-set-in-mix-magazine-december-2012-issue/</link>
		<comments>http://www.acousticfields.com/abbey-road-studios-remasters-beatles-catalog-for-vinyl-release-interview-with-mastering-engineer-sean-magee-about-the-beatles-stereo-vinyl-box-set-in-mix-magazine-december-2012-issue/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 17:00:00 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5494</guid>
		<description><![CDATA[Abbey Road Studios is cutting vinyl for thAbbey Road Studios is cutting vinyl for the Beatle?s albums. They want to make the albums sound a lot better and to preserve the albums. They want to help make the band relevant to future generations . This is expected to sell with people that just like vinyl [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/abbey-road-studios-remasters-beatles-catalog-for-vinyl-release-interview-with-mastering-engineer-sean-magee-about-the-beatles-stereo-vinyl-box-set-in-mix-magazine-december-2012-issue/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bobby Owsinski&#8217;s Big Picture Production Blog: Building Your Mix: It&#8217;s Not Just From The Kick</title>
		<link>http://www.acousticfields.com/bobby-owsinskis-big-picture-production-blog-building-your-mix-its-not-just-from-the-kick/</link>
		<comments>http://www.acousticfields.com/bobby-owsinskis-big-picture-production-blog-building-your-mix-its-not-just-from-the-kick/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 17:00:00 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5493</guid>
		<description><![CDATA[Musicians looking to start a new mix will be amazed to know that a kick drum isn?t the only place to start a mix. Musicians can start from the Bass, the Kick Drum or can just be the main instrument. Musicians should just begin with all the instrument and vocals as if you do things [...]]]></description>
		<wfw:commentRss>http://www.acousticfields.com/bobby-owsinskis-big-picture-production-blog-building-your-mix-its-not-just-from-the-kick/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>GuitarPlayer: Quick Licks</title>
		<link>http://www.acousticfields.com/guitarplayer-quick-licks/</link>
		<comments>http://www.acousticfields.com/guitarplayer-quick-licks/#comments</comments>
		<pubDate>Mon, 31 Dec 2012 17:00:00 +0000</pubDate>
		<dc:creator>MikeSorensen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.acousticfields.com/?p=5492</guid>
		<description><![CDATA[Learning new guitar tricks is something every guitar player should strive to do. The larger the storehouse of licks and riffs, the better player you will be. This is exactly what Quick Licks aims to do, demonstrate 3 bite-sized licks that you can add to any repertoire to juice up your playing! Easy to learn, [...]]]></description>
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