How To Soundproof a Room

Soundproofing a room means that we want sound energy that is created in the room to stay in the room and we want sound energy that is generated from outside the room to stay outside our room where it belongs. In order to soundproof effectively, we must address the floors, ceilings, and walls.

Sound Proofing Sealing Process

First, we must seal all openings in the room, no matter how small they are. Openings around light fixtures, electrical outlets, door edges, moldings and window trims. Use a sealer that is silicon based and will seep into the crack or opening and form a complete seal with all edge surfaces involved. Apply the sealer during the warmer temperatures and let it dry thoroughly. Return and reapply to any areas that have recessed during the drying process.

Walls First

Wall thickness is our friend when it comes to soundproofing using our walls. It does not have to be solid, but as a general rule the thicker the better, up to a point of diminishing returns. It depends on how much sound energy is generated in the room we have to keep in the room and how much sound energy is generated from outside the room that we have to block out. It is also about the way we arrange the materials in the wall. Now we are in the area of vibrational acoustics where we have to control the vibrations from one layer of the wall to another layer of the wall. An example would be a 1/2″ piece of plywood with a vibration damping material applied to its backside and then attached to a 1″ piece of multiple density fiber board. This arrangement provides three different materials for vibrations to have to go through and by doing this they lose their intensity or energy. Remember, vibrations produce sound. Do we need more layers to our wall? It all depends on usage and sound pressure levels. Careful sound pressure measurements are a must both inside and outside the chosen room over different time periods and different usage loads, and give one a starting point for material selection and wall thickness.

Don’t Forget the Ceiling

Ceiling structure for soundproofing is similar in design and composition to our wall technology. One particular soundproofing method used is to decouple the ceiling from the rest of the structure by building another “ceiling” and then decoupling or in common language separating the new soundproofing ceiling from the existing ceiling with isolation clips and airspace. Yes, airspace is another material that we can use to reduce vibrations with. If we decouple the new soundproof ceiling from the existing ceiling and leave an air space between the new and old, we have effectively created an isolation barrier technology and a low frequency diaphragmatic absorber which also absorbs bass energy.

Floors and Ceiling

Our floors are just like our ceiling and we must decouple the new soundproofing structure from the existing floor. We float the new floor over the existing floor and use isolation pads to place the new structure on. The rigidity and construction of the floor system can also contain a calculated air space which can absorb internal bass energy. Any decorative inside the room treatment can be added, and thickness is our friend most of the time when it comes to keeping sounds inside, in and sounds outside, out.

Not Easy Or Cheap

Soundproofing a room is not easy and to do it well is not cheap either. One must first determine how much a noise issue one has and then what is our budget available to deal with this issue. Most of the time, the noise problem can not be resolved with the existing budget and one has to re think the amount of solution versus available dollars and make it go as far as it can and accomplish as much of the noise objective we can. One can do it in steps over time to achieve the desired results.

Tips On How To Make It As A Music Star

I found some great tips on how to be a great music star for you on astralplanestudios.com written by Josh Hayward which I thought I would share as part of today’s roundup. He argues that when you aim to be a top musician, one must know how to work and interpret the crowd. Also, an aspiring musician must also be able to switch genres. Being stuck in one genre will more than likely doom one’s career. Diversifying often times leads to great success for musicians. A lot of this information is actually found in The Voice, so by watching that you should get some added info.

Worth a read:
How to Become a Music Star

DJ Shadow’s Reveals The Secrets To Music Business Survival

I came across an article from Bobby Owsinski’s blog as I was doing my daily audiophile roundup about the prominent and great hip-hop DJ, DJ Shadow, who has enjoyed a long, successful career and has compiled a list of secrets to succeeding in the music industry. Whilst many of these tips can apply to any profession, respect your profession and be willing to move for your job, there are some excellent music industry specific pointers. As he says you should also listen to the advice of other people who have been in the field a long time and enjoy the details of your job. Coming from a great and humble man like Shadow that is advice worth taking on board.

Read the full post here:
DJ Shadow’s 13 Secrets For Music Biz Survival

Music Producer Andrew Dawson Explains All

For today’s daily audiophile roundup I would like to share a recent interview by Mathew Weiss with Andrew Dawson posted on theproaudiofiles.com. Andrew Dawson is a music producer that has worked with such music celebrities as Kanye West, The Pet Shop Boys, and The Morning Benders. The interview contains a lot of suggestions from Dawson on how to mix songs and tracks better, with some fairly specific examples.

Well worth a read for all studio buffs:
Interview with Andrew Dawson – Part 2

Definition Of Soundproofing

There isn’t a day that goes by that I don’t hear someone using the application of the soundproofing term incorrectly. Sometimes they miss use the definition itself and almost always they confuse the methodologies available to deal with real soundproofing issues that are inherent in the definition. Lets define the term soundproofing and then examine current methodologies for dealing with genuine soundproofing issues.

Soundproofing Definition

The actual definition of soundproofing deals with sound pressure and reducing that sound pressure between the source that is generating the actual sound pressure.
Lets use the example of a garbage truck emptying the large container of trash into its back section. You are in your apartment next to the garbage truck. Following the definition, you want to reduce the sound pressure levels between you and the truck. If a motorcycle goes by and generates a pressure wave of a certain frequency and that wave travels to your house, it will be heard and possibly felt depending on the frequency generated by the motorcycle. American bike manufacturers produce the pressure waves of greatest intensity.

Pressure Reduction

Pressure reduction can also be defined and the term soundproofing applied inside of a room. In a room where we live our lives, hopefully only part of our lives, we have another soundproofing example. We want to reduce the sound pressure between the source and the receiver. If we have a listening room, home theater, or professional recording studio environment, we want to reduce the pressure between our low frequency drivers and our room. The speakers generate low frequency energy which is injected into our rooms and depending on our room size, will produce resonant distortions within the room. These distortions color the audible part of the signal for both playback and recording purposes.

How To Sound Proof

How do we reduce sound pressure, so that we can actually apply the term soundproofing? We can first increase the distance between ourselves and the source of the high pressure waves. We could move to another apartment away from the garbage receptacle or we could leave the apartment complex and move to another one with the knowledge learned from the last apartment. We could move away from streets that have motorcycles on them and through traffic of any nature.

Noise Barriers

We could use noise barriers to disrupt the signal path between us and the source. This is where barrier or sound isolation technologies come into play. Noise barriers reflect or absorb some of this unwanted sound pressure. We could add barrier technology to our apartment on the walls and ceiling which is between us and the garbage truck. This would create a barrier that would disrupt the signal path between us and the source. We could do the same to our home by building barrier technology between the house and the road where sound pressure generating traffic exists. Barrier technology and its costs must be weighed against the sound pressure levels one is trying to avoid.

Inside Our Rooms

Inside our rooms, we can use damping structures to absorb excess sound pressure energy. This is a different methodology than barrier technology. In barrier technology, we are using reflection to reduce sound pressure transmission between the source and receiver. When sound pressure strikes the barrier, part of it is reflected off the barrier. With damping technologies we are using absorption. Remember from our basic physical science courses that only three things happen to sound pressure. It is absorbed, reflected, or diffused. With damping technologies, we convert the existing sound pressure energy from the electromechanical energy generated by our loudspeakers to heat through the process of absorption. Open celled and closed cell acoustic foams use this process for middle and high frequencies. Low frequency absorbers also use this technique for lower frequency wavelengths.

Noise Cancellation

Noise cancellation technologies can attack the soundproofing issue at the source itself if you will. Using sophisticated electronic signal generator, one can cancel certain unwanted sound pressures electronically by introducing an inverted wave form of the noise and thus producing noise cancellation. Noise cancellation headphones are an example of this electronic sound pressure reducing technology.

Soundproofing is all about reducing sound pressure from source to receiver. We can use noise barriers or damping technologies depending on the particular soundproofing problems we are faced with. We can use damping processes such as sound absorption technologies within a room to reduce sound pressure levels at our listening or monitoring positions. We can build barrier technologies in our control rooms to keep street traffic noise from entering our mixes. Soundproofing deals with noise from outside and inside our rooms. Different soundproofing methods are used to deal with different soundproofing issues. We don’t want to put acoustic foam on our apartment walls which is a damping soundproofing process to stop the pressure waves generated from the garbage truck. This soundproofing issue would require that we use barrier technology. Better yet, just move away.

How Different Media Players Make Us React To The Music

I came across this article written by Kim Lajoie as I was sweeping the web for my daily audiophile roundup which is about the different experiences we enjoy with different media players. The different forms of media follow a similar pattern. The more the artist or writer creates a bad piece of music/content, the more likely it is that they will become better in the long run. Kim makes the points that differences between the media players is how the viewer/listener experiences it. With Visual medias, the user can simply skim over the bad parts, or not even experience the video if they do not enjoy the teaser, headline, or the piece itself. While with audio media, the listener generally does not speed up the media, even if it is bad.

A lot of this rings true with my own experiences but how about you? Before the advent of CDs I for one used to rarely go and move the needle on an LP and yet today I will glad hit the skip button if need be.

Read the full article here:
Mileage and headlines

Study Looking Into Links Between Jet Noise And Poor Health

For today’s daily audiophile roundup I would like to share an article about how jet noise affects your health as written by Pat Doyle of startribune.com. The Metropolitan Airports Commission seeks answers to questions regarding the health risks connected with living near the Minneapolis St. Paul airport. National researchers aim to prove definitively whether the associated airport noises cause more than irritation. Earlier studies have shown possible links between airport proximity and high blood pressure, insomnia and headaches.

Just another reason why good soundproofing is so important – loud noise is a health risk after all!

Read the full article here:
MAC seeks study on links between jet noise, health

More Kids Picking Up Instruments Than Ever Before

Read the full article here:
Music studio offers a way ‘to be in the game’ – Houston Chronicle

How To Improve The Sound Within Our Rooms

Three Sound Things

Three things happen to sound energy in our rooms. Sound energy is either absorbed, reflected, or diffused. Sound energy that is absorbed is physically changed to heat through the process of absorption. When it is changed to heat it is no longer sound energy but heat energy. When sound energy makes this physical change it can never be sound energy again. The sound is lost forever. Sound energy that is reflected is sound energy that strikes a said surface and then is “thrown” in another direction, usually with not much loss in strength. The direction the reflected energy is “thrown” is dependent on the shape of the reflector. Diffused sound energy is sound energy that is “broken up” into smaller parts and spread out in some type of sonic array depending on the device used to generate the diffused energy. In our rooms and it doesn’t matter what type of room it is the processes of absorption, reflection, and diffusion that occur and must be acoustically dealt with.

Sound Absorption

Sound absorption in our rooms can be broken down into two general classes. We have middle and high frequency absorption which deals with our speech and musical presentations. We also have another class which is low frequency absorption or the term used is bass absorption. We need to use sound absorption in our rooms to reduce excess and usually unwanted sound energy. When we absorb excess energy of any class in our rooms, we can hear more of the sound produced by a person or instrument and we can also hear that same sound more clearly. For middle and high frequency absorption, we can use carpeting on the floor, draperies over our walls and windows. For low frequency absorption, we can use pillows and even thick padded chairs. We must place these chairs and pillows in the proper room locations to maximize their sound absorbing properties. Low frequency energy resonance try to “hide” in different room locations, especially the corners.

Sound Reflections

Sound reflections within our rooms must be controlled because they confuse our brains with too many mixed signals. Our brains need to localize or focus sound that comes from one direction at a time. We are not very good at separating numerous sound sources all coming at us at once from different directions. This is exactly what occurs with wall and ceiling reflections at our ears. We hear all these sound “sources” bouncing off every wall, ceiling, and floor surfaces into our ears and our brains can’t process all that data at once. Our brain needs simple and clear sounds, so we can hear someone speak to us. We can hear all the tonal inflections and timbre that a person’s speech creates. We need to hear for emotional content and meaning. Sound reflections from our room can be controlled in the same manner as we used before using the process of absorption. We can use drapes and window coverings. Furniture not needed much here because with reflections we are dealing with middle and upper frequency control, not low frequency sound absorption.

Sound Diffusion

Sound diffusion occurs when sound energy is “broken up” into smaller units and then spread out in a certain type of array or pattern depending on the diffusor type used. We are most familiar with light diffusors. The plastic cover on a florescent light fixture has little bumps in its surface. These “bumps” represent a type of light diffusor which takes the light from the florescent bulb and spreads it out over a larger space in the room. Light diffusion and sound diffusion are similar In our rooms, sound energy strikes a surface and if that surface is flat that energy will be reflected. If the surface in our room is not flat but rather has high and low places sound diffusion can occur, When sound energy in our rooms strikes a piece of art, sound energy is re radiated out in different directions in our room depending on the art foam configuration. It is almost like we are creating numerous smaller reflections from the original sound pressure energy. This spreading out of sound energy in different directions is usually reduced in strength which allows our brains to localize and hear more clearly the original signal.

In our rooms, no matter what the usage, we have sound reflection, absorption and diffusion occurring. We use a the later two to control the first. We use absorption and diffusion to control sound reflections all to hear better.

Bill Gates Joins The Music Business

I would like to share this article about Bill Gates which was posted by Corbis – a photo, film, video, and art masterpiece library service owned by Bill Gates – is getting into the music licensing business with the launch of Green Light Music, which has a catalogue that includes songs from the top four record labels. The service will allow customers to bid on the rights to songs such as The Monkees’ “Daydream Believer”. What makes the service unique is that Green Light Music doesn’t actually own the rights to any of the songs in its catalogue; it simply serves as a middleman, connecting content owners with end users.

Read the full article here:
Bill Gates Enters The Music Business